As introduced here, these Warm Recollections are random cullings from thirty years of notes files…
It’s not that I’m no good at moderation — I am. The problem is that the second me who emerges while I’m still being moderate has no time for moderation at all, and I don’t realize there’s been a handover between these guys until suddenly I wake up in Mexico married to a wallaby and covered in second-rate tattoos.
Great English phrase: ‘A safe pair of hands’ — surely the highest accolade we have. It means unshowy, dependable, competent — the three desirable qualities of Britishness.
Hell is just like here, but without the magic, the spark. Grass is just grass, rocks are just rocks. And people are just bodies that talk.
These baffled, violent men with their miserable, shrewish wives, hermetically sealed from their dreams by alcohol, poverty and fate.
Roland Barthes: ‘Not only is the Photograph never, in essence, a memory… but it actually blocks memory, quickly becomes a counter-memory.’
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That description of hell is pretty much what depression was like for me. Food lost taste and appeal, music was insipid tinkling or irritating thudding, the sun was just hot... and nothing could penetrate the grey curtains.
Glad I passed through it.
While I see what Barthes is saying, and agree to a point -particularly on an emotional level - it's also true that our memories are mutable, and we self-edit all the time. The photograph stands apart from this, simply an artefact of chemicals and light (used to be at least...), and won't engage with the nonsense of our egos. It becomes a counter-memory in the sense of its accuracy.