Borderline on your spec but Led Zeppelin's Heartbreaker solo. Jimmy Page crafts a solo that is musical, but also pure solo, in that all other instruments do not play during the solo
Knopfler and Gilmour are two of the most distinctive guitarists out there- if they do guest work on someone else's song I can recognize them by their touch.
A great example of Gilmour's brilliance was when he and his band (with Rick Wright) were goofing around during s rehearsal and he started playing the chaotic guitar part from "Echoes" on an acoustic. He laughed about doing acoustic "Echoes" and the rest of the band joined in, znd a mind blowing performance fell into place. But his solo at the end of that? Incredible.
I had to stop myself from going total fanboy linking GIlmour's work. He's my favorite guitarist bar none. It would be far too easy to flood you with links to magnificent work that he's done!
But I'm especially glad that you linked "Brothers In Arms", the most haunting Dire Straits song I've ever heard.
One more bit of Gilmour brolliance: "Fat Old Sun". One of his early Floyd songs, often overlooked- but his solo at the end raises the hair on my neck every time.
Thanks for writing this. Comfortably Numb, still makes me weep for my first husband. Bridge of Sighs, can’t bear it. Right Down The Line, Gerry Rafferty, still lets me smile thinking of how Tim ALWAYS held my hand when the song came over the airwaves.
I like to say to folks getting into my car, just so you know, there’s a real possibility that someone has broken into my car and have turned the music up REALLY FN LOUD... be prepared.
I showed this to my wife, as she is a massive Prince fan. Ye Gods that man could play!
As per her instruction she suggests the Bon Jovi (whom she also loves...) song Dry County. Richie Sambora can certainly give it beans on a guitar! Who knew!
I'm going to have to push you way outside your comfort zone here. Bear with me, it's worth it in the end. None of these tracks are short, none of them has 'one solo' to point at. You're just going to have to take an hour out. ;)
A band who have never really been noticed by the general public, but debuted at Woodstock & made their best stuff 70-72, then rapidly faded. They have been called 'the first ever heavy rock band'. Their career was short, their worldwide popularity low, but their influence great. Most are sadly no longer with us.
So, I'll offer you Leslie West, and Mountain - Nantucket Sleighride [the best version, live] - https://www.youtube.com/watch?v=Oa7pDgF8rrY - there's no video, just the album cover still.
If you lived in the UK during the 70s, you will probably recognise one of the themes in this, it was the theme tune to 'Weekend World' the political commentary show, Sunday lunchtime, ITV.
If you want more in the way of virtuosity, then the [much] longer Dream Sequence (though feel free to skip the Roll Over Beethoven cover after the intro solo segment, introduced by the single 40 second note held on the borders of feedback, to get to the meat of it. Come back at about 5:50 for the end solo, or get right to the point at 8:45, then right through to the end.) https://www.youtube.com/watch?v=p8iGat21cJE
You need patience with these, because they don't have the honed refinement of later rock, they're very raw - almost playing for themselves rather than to the audience. They take a long time to develop & there's not really any one 'solo' other than the standalone bits around Beethoven. It's mainly all in the interplay.
It's not how West plays the solos, so much as how he interacts with what else is going on. He has a bassist, Felix Pappalardi, who could hold a show on his own. [If you think you vaguely know that name - he was Cream's producer, whilst Jack Bruce produced Mountain, in a 'you scratch my back…' between two exceptional bassists]
Maybe you should listen to a studio track first though - apparently the solo work is a single take, though it must be an overdub to the band, as there's still rhythm going on. Felix Pappalardi on vocals (& bass of course), Leslie West on guitar, written & produced by Jack Bruce. What more could you ask for. The solos fit a more logical 'short' (5 mins) format too, rather than spread for 20.
Always welcome. I was already getting to novella length, so I left out my opinions of your picks [all good] & went for a laser-like focus on one topic [sorry, sightly aspergers, does it show? ;)
As Tim Minchin said "Talked too much, stayed too long."
Great takes. I’ve quoted the Debussy before myself. Not interested in technical proficiency with no soul. Too many notes! I’m an old Allman Bros and Dead fan. Duane on almost anything, Jerry on Morning Dew from the Lyceum in 72. But since you mentioned newer artists I have to say Derek Trucks. A tone that you recognize from the first note. Range, dynamism, feel, soul. I’ve heard so many awesome solos live but here is a pretty good little video clip https://youtu.be/QC9rQcb5Kyg The Tedeschi Trucks Band just keeps getting better. Go see them.
Susan is a rock god in her own right. That voice combined with those guitar chops? Just not fair. All the members of that band are so talented. I also feel bad about mentioning Duane and overlooking Dickie Betts. He is one of the most underrated guitar players in rock history. Beautiful tone, soulful playing. There are some great videos of him online-several great Blue Sky’s
Agree on all points. Duane’ s guitar playing, imagine what he would have sounded like further on down his road. I stand by Robert Cray on that guitar playing in I was Warned. Masterful. He is incredible in concert.
Another interesting read! I went to so many rock concerts as an 80s/90s teen — all men then too. Well, except my first concert at 14 — Joan Jett. Any guy in a band was treated like a 'god' — it was so sexist then. And no surprise there aren't more live performances with women guitarists to choose from: most never had the chance. I remember my boyfriend in a local rock band telling me “You can be the water girl,” as if it were some great honor. But some of the music has held up better. I was surprised how many classic rock songs were on my 17-year old son’s playlist.
I got to see the Runaways, I think supporting the Ramones, in the late 70s. Really enjoyed them. They were doing the 'school girl' act, so you can hardly blame the almost all-male late teens audience of that time [my much older self apologises for that, sorry] but I think they were considered at least partly on merit, not on looks. Punk was an early breakdown of some of those borders, thankfully - but honestly, they were much more entertaining than the Ramones, who will go down in my personal history as the worst band I ever saw live.
I already knew & loved every song they were going to play, all 1:45 minutes of them - yet some of them got nearly to the end before I actually recognised what they were. They all started, of course, 1,2,3,4 as fast as you can shout it; the bassist broke an average of one string per song so was only playing about half the time, as the roadie swapped him out for one of the very many spares side of stage, then had the job of re-stringing [I hope he was paid well]… It was an experience, let's say.
I did get to see some amazing stuff in the 70s, from Queen supporting Greenslade, Wakeman, Alice Cooper [Nightmare tour] up to Boomtown Rats, Clash, Madness… lots. Just the Ramones weren't it.
There are some AMAZING female guitar players out there — like the two I mentioned at the end — I just can't seem to find the one iconic performance for them...
Those Joanna Connor and Joanne Shaw Taylor performances are indeed AMAZING! Thanks for sharing. I was just speaking in general terms about the limited opportunities for women in rock music. Women probably had fewer chances for having what would’ve been iconic performances. Ones that'd be easy to find years later on YouTube.
It may not be quite on the money for you but I've started listening to Nova Twins. They are a heavy rock duo made up of two young black women, who keep getting told to play RnB or Hip-hop as that's what young black women do... I like the song Antagonist particularly and I love their fu attitude!
I know a few very talented female guitarists but progress seems to be a snail's pace for decent recognition.
Ohhh this one is right up my street. I would absolutely rate Knopfler's solos alongside Gilmour's - Tunnel Of Love is my favourite Dire Straits song, and that solo is gorgeous. The live version of Telegraph Road off the Alchemy set also features more than one astonishing solo (and is noteworthy for stunning piano and drum work. Really you can't fault that whole band, they were extraordinary).
Now I'm aware it's unfashionable to say so (they used to sell 'Uncool As Fuck' tees on their website), but Marillion's Steve Rothery is one of the greatest unsung soloists in the world. Over twenty albums and forty years, he's delivered some truly remarkable work. The 90-second solo that links the two sections of Easter was improvised in a single take in the demo sessions in 1989 - singer Steve Hogarth was so blown away that he begged Rothery not to change a note, and that solo is still exactly what he plays live today, 34 years later, note for note:
Nothing he plays on Neverland is complex, but it's such an emotional song and his work on it is so dynamic and in sync with the ebb and the flow of the music:
On a completely different... note, Andy Bell (from Ride, Hurricane #1 and Oasis) is a wonderful guitarist. Hurricane #1's Step Into My World is a five minute song, and the second half is all him soloing... but there's a second solo playing at the same time, panned over to the left, the two working not necessarily in harmony the way bands with two lead guitarists often do, but at counterpoint, ebbing and flowing into one another. It's quite something:
Excellent - thank you for those, will go listen! In a world where so much music is now automated apart from the (autotuned) singer, it's a relief to find people out there who are listening to actual musicians and relishing every note!
In reading about Andy Bell's career with Ride after posting that comment, I've found that there was a shoegaze revival called nu-gaze (sigh). BUT: that led to a weird off-shoot called blackgaze, an attempt at welding together black metal and shoegaze sounds which sounds like it needs to be investigated. Wikipedia rabbitholes are the bane of my life.
A guitarist ive been listening to a lot,now sadly passed-kim simmonds and savoy brown,got a free dvd of their songs for the road...Great soulful blues guitar,he knows how to bring the fire though,shifting up from soft tantalising with the blues to full on both barrels...also the track thunder lightning and rain from the LP witchy feeling-the cover art looks like it was done by a child but belies the content therein.
Lovely, isn't it :)
Borderline on your spec but Led Zeppelin's Heartbreaker solo. Jimmy Page crafts a solo that is musical, but also pure solo, in that all other instruments do not play during the solo
I'll check it out - thank you!
Knopfler and Gilmour are two of the most distinctive guitarists out there- if they do guest work on someone else's song I can recognize them by their touch.
A great example of Gilmour's brilliance was when he and his band (with Rick Wright) were goofing around during s rehearsal and he started playing the chaotic guitar part from "Echoes" on an acoustic. He laughed about doing acoustic "Echoes" and the rest of the band joined in, znd a mind blowing performance fell into place. But his solo at the end of that? Incredible.
https://youtu.be/KPXWKO-EBgc
Excellent - thanks for the links!
I had to stop myself from going total fanboy linking GIlmour's work. He's my favorite guitarist bar none. It would be far too easy to flood you with links to magnificent work that he's done!
But I'm especially glad that you linked "Brothers In Arms", the most haunting Dire Straits song I've ever heard.
First time hearing that, it is so good.
I've fallen down a rabbit hole now! https://www.youtube.com/watch?v=_Ao6_4aC0d8
Dang! That’s some head banging music!
One more bit of Gilmour brolliance: "Fat Old Sun". One of his early Floyd songs, often overlooked- but his solo at the end raises the hair on my neck every time.
https://youtu.be/qB3dLKVSs6s
Slash - Johnny B Goode
I’m a huge Guns N’ Roses fan.
Thanks for writing this. Comfortably Numb, still makes me weep for my first husband. Bridge of Sighs, can’t bear it. Right Down The Line, Gerry Rafferty, still lets me smile thinking of how Tim ALWAYS held my hand when the song came over the airwaves.
Robert Cray, no slouch on the guitar. Love him.
Love Cray... couldn't think of a specific performance, but will look!
Cray, the song. I Was Warned. Has a killah electric solo.
Music holds those moments as if in amber. Very sorry to hear of your loss.
Merci. Some music, so profound.
I like to say to folks getting into my car, just so you know, there’s a real possibility that someone has broken into my car and have turned the music up REALLY FN LOUD... be prepared.
After comfortably numb my 2nd pick has to be Carlos Santana playing Europa try his Live in London 1976 set so pleased I was there
https://www.youtube.com/watch?v=SVI7ZDDQXKA
I'll go look!
My favorite band now is Band-Maid and Kanami has lots of great short sweet solos, this longer one is amazing.
https://youtu.be/B9Lq46ARFxs
Wow. Hadn't heard of them - unusual band! Some serious musicianship in there tho... https://www.youtube.com/watch?v=UE7cnxjUfgI
Rory Gallagher-Alexis,still in love with you-thin lizzy...Gary moore's big lush sound.
Ah, Rory, yes — saw him live at the Hammersmith Odeon, a long long time ago... and Moore had a lovely tone.
I showed this to my wife, as she is a massive Prince fan. Ye Gods that man could play!
As per her instruction she suggests the Bon Jovi (whom she also loves...) song Dry County. Richie Sambora can certainly give it beans on a guitar! Who knew!
It's about 5:30 mins in.
Prince was something else. I'll go check out Dry Country!
I'm going to have to push you way outside your comfort zone here. Bear with me, it's worth it in the end. None of these tracks are short, none of them has 'one solo' to point at. You're just going to have to take an hour out. ;)
A band who have never really been noticed by the general public, but debuted at Woodstock & made their best stuff 70-72, then rapidly faded. They have been called 'the first ever heavy rock band'. Their career was short, their worldwide popularity low, but their influence great. Most are sadly no longer with us.
So, I'll offer you Leslie West, and Mountain - Nantucket Sleighride [the best version, live] - https://www.youtube.com/watch?v=Oa7pDgF8rrY - there's no video, just the album cover still.
If you lived in the UK during the 70s, you will probably recognise one of the themes in this, it was the theme tune to 'Weekend World' the political commentary show, Sunday lunchtime, ITV.
If you want more in the way of virtuosity, then the [much] longer Dream Sequence (though feel free to skip the Roll Over Beethoven cover after the intro solo segment, introduced by the single 40 second note held on the borders of feedback, to get to the meat of it. Come back at about 5:50 for the end solo, or get right to the point at 8:45, then right through to the end.) https://www.youtube.com/watch?v=p8iGat21cJE
You need patience with these, because they don't have the honed refinement of later rock, they're very raw - almost playing for themselves rather than to the audience. They take a long time to develop & there's not really any one 'solo' other than the standalone bits around Beethoven. It's mainly all in the interplay.
It's not how West plays the solos, so much as how he interacts with what else is going on. He has a bassist, Felix Pappalardi, who could hold a show on his own. [If you think you vaguely know that name - he was Cream's producer, whilst Jack Bruce produced Mountain, in a 'you scratch my back…' between two exceptional bassists]
Maybe you should listen to a studio track first though - apparently the solo work is a single take, though it must be an overdub to the band, as there's still rhythm going on. Felix Pappalardi on vocals (& bass of course), Leslie West on guitar, written & produced by Jack Bruce. What more could you ask for. The solos fit a more logical 'short' (5 mins) format too, rather than spread for 20.
Theme for an Imaginary Western. https://www.youtube.com/watch?v=0l_x0xH9fLM
I hope it lets me post the links...
Excellent - thank you very much! I'll bookmark these for later in the day, and bed in... appreciate you taking the time :-)
Always welcome. I was already getting to novella length, so I left out my opinions of your picks [all good] & went for a laser-like focus on one topic [sorry, sightly aspergers, does it show? ;)
As Tim Minchin said "Talked too much, stayed too long."
Great takes. I’ve quoted the Debussy before myself. Not interested in technical proficiency with no soul. Too many notes! I’m an old Allman Bros and Dead fan. Duane on almost anything, Jerry on Morning Dew from the Lyceum in 72. But since you mentioned newer artists I have to say Derek Trucks. A tone that you recognize from the first note. Range, dynamism, feel, soul. I’ve heard so many awesome solos live but here is a pretty good little video clip https://youtu.be/QC9rQcb5Kyg The Tedeschi Trucks Band just keeps getting better. Go see them.
Ah, Derek Trucks — excellent example! And I would love to see them live...
Duane Allman, he was memorable. Trucks is great and Tedeschi, a hometown girl in this part of the cool blue North.
Susan is a rock god in her own right. That voice combined with those guitar chops? Just not fair. All the members of that band are so talented. I also feel bad about mentioning Duane and overlooking Dickie Betts. He is one of the most underrated guitar players in rock history. Beautiful tone, soulful playing. There are some great videos of him online-several great Blue Sky’s
Agree on all points. Duane’ s guitar playing, imagine what he would have sounded like further on down his road. I stand by Robert Cray on that guitar playing in I was Warned. Masterful. He is incredible in concert.
He's on my list of someone I'd finally like to see...
Will go look!
Another interesting read! I went to so many rock concerts as an 80s/90s teen — all men then too. Well, except my first concert at 14 — Joan Jett. Any guy in a band was treated like a 'god' — it was so sexist then. And no surprise there aren't more live performances with women guitarists to choose from: most never had the chance. I remember my boyfriend in a local rock band telling me “You can be the water girl,” as if it were some great honor. But some of the music has held up better. I was surprised how many classic rock songs were on my 17-year old son’s playlist.
I got to see the Runaways, I think supporting the Ramones, in the late 70s. Really enjoyed them. They were doing the 'school girl' act, so you can hardly blame the almost all-male late teens audience of that time [my much older self apologises for that, sorry] but I think they were considered at least partly on merit, not on looks. Punk was an early breakdown of some of those borders, thankfully - but honestly, they were much more entertaining than the Ramones, who will go down in my personal history as the worst band I ever saw live.
Ha — I've often wondered what they were like live ;-) Bit like Blink, who — in every live video I've seen — seem dire.
I already knew & loved every song they were going to play, all 1:45 minutes of them - yet some of them got nearly to the end before I actually recognised what they were. They all started, of course, 1,2,3,4 as fast as you can shout it; the bassist broke an average of one string per song so was only playing about half the time, as the roadie swapped him out for one of the very many spares side of stage, then had the job of re-stringing [I hope he was paid well]… It was an experience, let's say.
I did get to see some amazing stuff in the 70s, from Queen supporting Greenslade, Wakeman, Alice Cooper [Nightmare tour] up to Boomtown Rats, Clash, Madness… lots. Just the Ramones weren't it.
There are some AMAZING female guitar players out there — like the two I mentioned at the end — I just can't seem to find the one iconic performance for them...
Those Joanna Connor and Joanne Shaw Taylor performances are indeed AMAZING! Thanks for sharing. I was just speaking in general terms about the limited opportunities for women in rock music. Women probably had fewer chances for having what would’ve been iconic performances. Ones that'd be easy to find years later on YouTube.
It may not be quite on the money for you but I've started listening to Nova Twins. They are a heavy rock duo made up of two young black women, who keep getting told to play RnB or Hip-hop as that's what young black women do... I like the song Antagonist particularly and I love their fu attitude!
I know a few very talented female guitarists but progress seems to be a snail's pace for decent recognition.
SO slow. Joanne Shaw Taylor is as good a pure blues guitarist as anybody out there, but nobody's heard of her...
I've found her on t' Spotify so will give her a whirl! Although you had me at pure blues!
Apart from the music, the last two sentences are so very important. ❤️
They really are.
Ohhh this one is right up my street. I would absolutely rate Knopfler's solos alongside Gilmour's - Tunnel Of Love is my favourite Dire Straits song, and that solo is gorgeous. The live version of Telegraph Road off the Alchemy set also features more than one astonishing solo (and is noteworthy for stunning piano and drum work. Really you can't fault that whole band, they were extraordinary).
Now I'm aware it's unfashionable to say so (they used to sell 'Uncool As Fuck' tees on their website), but Marillion's Steve Rothery is one of the greatest unsung soloists in the world. Over twenty albums and forty years, he's delivered some truly remarkable work. The 90-second solo that links the two sections of Easter was improvised in a single take in the demo sessions in 1989 - singer Steve Hogarth was so blown away that he begged Rothery not to change a note, and that solo is still exactly what he plays live today, 34 years later, note for note:
https://youtu.be/btKxRUPeRLg
Nothing he plays on Neverland is complex, but it's such an emotional song and his work on it is so dynamic and in sync with the ebb and the flow of the music:
https://youtu.be/l3NhNz9-EOA
On a completely different... note, Andy Bell (from Ride, Hurricane #1 and Oasis) is a wonderful guitarist. Hurricane #1's Step Into My World is a five minute song, and the second half is all him soloing... but there's a second solo playing at the same time, panned over to the left, the two working not necessarily in harmony the way bands with two lead guitarists often do, but at counterpoint, ebbing and flowing into one another. It's quite something:
https://youtu.be/JuFe6DfXrnA
Excellent - thank you for those, will go listen! In a world where so much music is now automated apart from the (autotuned) singer, it's a relief to find people out there who are listening to actual musicians and relishing every note!
Ah, just realized I did already know Step into My World, just didn't know what it was called! Fabulous work.
In reading about Andy Bell's career with Ride after posting that comment, I've found that there was a shoegaze revival called nu-gaze (sigh). BUT: that led to a weird off-shoot called blackgaze, an attempt at welding together black metal and shoegaze sounds which sounds like it needs to be investigated. Wikipedia rabbitholes are the bane of my life.
A guitarist ive been listening to a lot,now sadly passed-kim simmonds and savoy brown,got a free dvd of their songs for the road...Great soulful blues guitar,he knows how to bring the fire though,shifting up from soft tantalising with the blues to full on both barrels...also the track thunder lightning and rain from the LP witchy feeling-the cover art looks like it was done by a child but belies the content therein.
Will go have a listen!